But a train couldn't kill you. Not with your healing factor.
No, but it hurt... an' sometimes that's enough.
The worldbuilding is the most interesting element of "Old Man Logan," a cross-country journey where an aged Wolverine and blind Hawkeye attempt to transport a mysterious package from what was once California to the new Washington DC. Each stop introduced a new and engaging feature of the Wasteland and Millar's slow revelations as to what exactly transpired left readers eagerly awaiting the next issue. The setting is a bleak, post-apocalyptic world devoid of hope, which is the ultimate driving factor for Hawkeye but something Logan himself needs to find. Wolverine was symbolically executed along with most of the other heroes back when the villains attacked, and Hawkeye's hopes for his companion to unsheath his claws again end up being fruitless. Logan serves as little more than navigator in this warped, hillbilly-esque land.
"Old Man Logan" is a beautiful tribute to the character and also a compelling examination of guilt, which Logan and Hawkeye both deal with in different ways. Millar creates a touching, albeit understandably violent, epic that involves a surprising number of cameos and twists, and by the end of the story, the Wasteland feels lived in and like a regular piece of the Marvel Comics universe. This is incredibly well done given the plot itself follows the traditional hero's journey from start to finish (for more information on what this is, Google Joseph Campbell). Those who are fans of the Fallout video games or Mad Max movies will be right at home here.
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